#quarantine

Quarantine Creatives: Dan Khan

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Daniyal Khan

Repping an Urban Panda hoody from the comfort of his living room, Daniyal Khan indulged me with an unfiltered conversation into his creative journey. It was apparent that confident energy and a fearless approach was primary to a lot of doors being opened for Dan. As the Brand Creator of Urban Panda Clothing, it became clear, that for Dan, clothing was only a piece in his creative jigsaw puzzle.

Born in Greater West London, Dan travelled back and forth between the UK and Pakistan and admitted he identifies more as a “Pakistani and a Londoner, rather than British.” Always the chatterbox, Dan favoured English and Drama whilst in school and used to relish in his grades even if they weren’t contributing to his final mark. This positive energy is something that I could see mirrored in his later years and was apparent throughout our conversation.

“Because of my upbringing, I was always polite, I was never a dickhead”

After making the decision to study outside of London, Dan went on to pursue Journalism in Sheffield. Choosing Sheffield Hallam over the University of Sheffield, Dan knew off the bat that a less traditional media approach is something he knew would navigate better. With an initial passion being sports commentary, Dan realised he wanted to encourage conversation and would later become primary to his ethos and business.

“If I score a goal on FIFA, I will fully commentate as though I’m commentating a game”        

During his final year at University, Dan began building the foundations for what was to become Urban Panda. By tapping into his natural entrepreneur, he realised that one of the quickest ways to be recognised and circulate a brand name was through clothing. The wheels got turning as a friend of his channelled his ideas into empirical designs. The band name, Urban Panda, came from a family trip to China.

Whilst in Beijing, a panda sanctuary sparked love for the animal. Being very aware that a panda is the animal of China, he didn’t want consumers to think the brand name was reflecting authentic Chinese style. By taking his interest for the panda, Dan added Urban at the front in order to “reflect the viewpoint of a Londoner or a major city in the west…Panda means pioneering, artistic, noble, daring and assertive”. With Panda initialling these personality traits, Dan wanted this to be reflective of his consumers and their engagement with Urban Panda.

P AN D A | L I F E

“You know pandas are the only animal in the world that are black, white and Asian all at the same time”

I tentatively asked Dan how he initially funded his ideas and his response left me speechless. Whilst at university, he saw the opportunity on Instagram called Rate me Please, a networking event hosted by Remel London which opened up a platform for budding entrepreneurs to win a cash prize for their pitch. With only £40 in his bank account, Dan halved that by making the trip to London from university. After getting some last-minute business cards printed, this Londoner was back on home turf ready to pitch. No product, no protype and no presentation, Dan used a rap to a panel of industry judges. From explaining the concept of Urban Panda to what he needed to progress Dan wowed the judges and won a sweet 10 grand… I know. Madness.

With the financial boost, he admitted he learned some life lessons about business and how sometimes baby steps are more effective than going whole hog straight away. With his primary focus being centred around wanting to start conversations, Urban Panda was the perfect platform to aid other creatives. From talking his way into Adidas launch parties, befriending Big Narstie to hosting phenomenal live events of his own, Dan utilised Urban Panda as a vehicle for development.

With Covid-19 putting many content creators and creatives in a different mental space, Dan is taking this time to reflect and not stress too much. His genuine energy is not only inspiring to other people, but I, myself, felt inspired from our conversation. With such faith in the South Asian community to grow together in a creative space spurred on the creation of South Asian Creatives networking event in Wembley. Once lockdown is over I will most certainly be present.

Quarantine Creatives: Kirx Diaz

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Kirx Diaz

From the streets of LA to the urban sets of London, Kirx Diaz is no stranger to a busy schedule. This 27-year-old music video director has navigated the videos for the likes of Not3s and Mabel to establishing a space for upcoming creatives in the process. We conversed from our lockdown hangouts and was definitely a contrasting change of pace for Diaz.

With an international upbringing, young Kirx was born in Guildford and moved through Barcelona, Switzerland, and Valencia during his childhood, before he completed college in Portsmouth. During this time Kirx discovered that he was a much better match for the capital and decided to further educate himself in London. Studying Media and Communications at the London College of Communication, Kirx cheekily admitted that he chose this college in order to make the move to the city.

Kirx’s love for the London music scene and diversity, was a primary reason he decided it was good to settle in the city. “All of my friends are from everywhere…it’s nice to have a good mix of everyone”. Following graduation, Kirx worked a series of jobs, including shifts in a shoe shop, pizza delivery and then an estate agent.

“That was like the worst job ever, I hated that. I used to go and say I’m handing leaflets out and then go in my car to an estate where I knew none of the other estate agents would go and just watch movies in my car”

K I R X // D I A Z

Whilst working at the estate agents, a friend of Kirx was running video projects in Antigua, during carnival, and invited Kirx to go along with him.  After spending two weeks of making video and promo material in the Caribbean, Kirx returned to the UK and quit his job that same day. He’d found his love for content creation.  Although still very amateur to the video industry at this time, he returned to Antigua to continue his video work. On his return Kirx was a set runner for brands such as Michael Kors and H&M and was taking every opportunity that came his way. “There was one time where I was holding a boat in place for like 4 hours, but I loved it” Kirx worked on the island for 3 months before finally returning back to London.

“I just need the sun man”

His nickname from friends (Kirx) soon evolved into his industry brand and is now seen across his music video credits. Kirx admitted that he added Diaz as his surname as a way to weave in his Latin and Argentinian heritage and thought this would be a organic way to do so. As Kirx’s exposure became increasingly more present in the music video world, he used his showreel from his work abroad to circulate to artists on social media platforms. From this he grew his portfolio breadth, created his own opportunities and honed his craft.

“You have access to the whole world on the internet”

The turning point in Diaz’s career was when he had the opportunity to direct Not3s’ music video for Addison Lee and work with GRM Daily. Following on from this he continued working with Not3s on one of the most viewed UK urban music videos of 2017. As Kirx’s profile continued to expand, more people were noticing him and requesting to work with him – including Mabel and Ramz. It was interesting to see what development can happen in just a few years, “as a creative, I came up from literally earning like £100 a video and people telling me they didn’t want me to do their videos”.

As our conversation progressed, it became increasingly apparent that Diaz often thought outside of the box as he revealed he wanted to explore different ways to use his skills. He often questioned the materialism that stereotypically came hand in hand with grime music videos and revealed it can sometimes become normalised, “but it’s not normal”. This isn’t to say he doesn’t love working on these types of videos, but is now looking to evolve and his expand the types of project he works on. This is cemented with his entrepreneurial endeavours. Currently setting up a studio space aimed at creatives and the founder of his agency, Block Shots (a house of videographers and creatives) he is contributing to buliding platforms for upcoming creatives alongside his video projects.

It’s apparent we still have even bigger things to see from Mr Diaz, and with his goal to one day live in LA, I believe the world is yet to see more of Kirx, his active mindset and work ethic.

Quarantine Creatives: Amber Sandhu

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Amber Sandhu

Amber the firecracker has an absolute abundance of energy, but don’t let that fool you, this young radio producer has her head screwed on and her hands in all the right pots. Speaking from her home in the Midlands, Amber’s animated conversation brought much entertainment to us both whilst in lockdown. Even during quarantine Amber is keeping her creative juices flowing and bringing the finesse to her skill set.

Born and raised in Wolverhampton Amber went to an all-girls grammar school and was always known to chatter. Reminiscing on her teacher’s words telling her “to put that voice to good use” paired with her love for radio is what spurred Amber on for a career in media from a very young age. Whilst completing A-Levels she got her foot in the door at Wolverhampton Community Radio (WCR) and lied about her age- saying she was 18- to gain some hands-on experience. It was at this point Amber’s go-getter attitude was cementing more and more for me and her cheekiness didn’t make it hard for me to believe.

Whilst growing her experience at WCR, Amber applied for media apprenticeships but to no avail and decided to pursue her other passion in physical activity and study Sport Science. This Active Alice indulges in cricket and loves sport so educated herself further and went on to play games at a high level. Amber’s passion for the media still hadn’t extinguished as she completed internships at Sky for Soccer AM and the Daily Mirror, but radio was still where her energy lay.

Following graduation, Amber went on to be a PE teacher at Silkmore Primary school and admittedly went to school every day and “had tennis balls thrown at her”. Her gruelling schedule at this time, meant she was still putting in the hours in at WCR, working as a PE teacher whilst upholding her sports commitments and looking for full time jobs in radio. She admitted that this was a time where her “self-care didn’t exist”. Although loving her job at the school, she knew this wasn’t her long-term dream.

After applying to the BBC Asian Network through Creative Access, Amber made her way to London for her first interview, not realising that this would be the first step into the world of national radio.  Off the back of her interviews, Amber was a top-notch candidate for an internship at the BBC as an assistant radio producer.

Starting on a Tuesday in the spring of 2019, Amber walked into the Birmingham studios to be greeted by no team (little did she know that people typically work from home on a Tuesday). “I didn’t meet anyone; I didn’t meet anyone on the team… and as the week went on I met the team, everyone was super nice and welcoming”. She revealed that her first few months at the BBC, she “struggled to come out of her shell” in fear that she wouldn’t be taken seriously. As an intern in the media industry, this is a commonality for many trainees as it’s often their first step within their chosen enterprises.

“I think I got a bit of imposter syndrome”

As Amber continued to develop, she showcased her potential. By working on the cricket world cup to going on to assistant produce weekend shows, her proactivity ensured her success amongst the team. An example of her initiative is shadowing the social media team in the London studios and then learning to create social media content for the Birmingham studios too. This thirst for learning and continually wanting to advance is a tip that Amber gives to anyone starting off in a creative industry. The importance of finding a work life balance is something that is apparent to Amber’s journey and reminds future interns to make sure to enjoy time.

“You’re still learning and you’re new as well…be proactive and be creative”

Quarantine Creatives: Jamie Oliphant

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Jamie Oliphant

Jamie Oliphant joined me from the comfort of his home in South London with a beaming smile and a special guest, Odin. Odin the cat saturated my conversation with Jamie with much entertainment and magnified the wholesome energy that was felt through the screen, in what felt like a chat with an old friend. As Odin sashayed past Jamie’s camera, it was interesting to see this young comedian off stage and in the contentment of his bed surrounded by his well-kept house plants.

Born and raised in West London, Jamie always had a creative flair. From his school productions and acting to his first stand up experience, Jamie always put his creativity at the forefront. Before life as a comedian, Jamie initially went on to pursue his career path in acting. Going on to study drama at the University of Exeter, Jamie excelled during his time there and revealed that a memorable moment was his involvement in the play Trainspotting. “Like 1000 people auditioned for that and I got into that and that was probably the biggest bug for me, the acting bug in moving forwards and feeling like yeah I can do this”.

“I’ve always wanted to do drama”

O L I P H A N T

Having graduated from the university with his drama degree in hand, Jamie went on to work in a bike shop to earn money whilst working in his first paid outdoor theatre project for a show called Child’s Play, at the same time.   This was a learning curve, as he quickly learnt that his input wasn’t as valued here as his work on productions during his time in his Exeter “bubble”. Jamie admitted that after a series of rejections and little input here, from not only himself but his team, he left with a feeling of “what’s the point”. After two or three months of working on Child’s Play, Jamie moved on to his next steps after recognizing that he was “enjoying the bike shop more than the acting”.

After revealing that his initial first step after graduating was sending “about 150 letters to agents in London”, and “hoped for the best. One agent “wrote back to me and said “let’s set up a meeting”. This was great for commercial work for Jamie, but still kept his foot in the door at the bike shop.

With theatre work not fulfilling Jamie in the way he thought it would, he decided to brave an open mic night and try stand up. What began as a dabble, then became addictive for this comedian and got him thinking “how can I get better at this and write better jokes and I was really determined to get better”. Jamie divulged that this was the first time he felt this strongly about something.

Jamie built up a series of comedy shows under his belt, learning to perfect his craft and even went onto win a New Act competition for comedy. He was then “roped into the sales team” for a credit card company. This made his regular input on the comedy scene reduce significantly and he saw that the comedians who he started with “were gigging like machines” and progressing fast whilst Jamie’s stagnation was prominent. Recognising that working in the credit company was stunting his creativity and his ability to get better as a comedian, he left after two years of service.

 “I really enjoyed it, but I definitely knew this isn’t something I wanted to do forever”

Sandwich deliveries is what was next on the cards for Jamie Oliphant, this ensured that his evenings freed up for his pursuit in the comedy world. Of course, financially he took a toll, but this accelerated his skill set and gave him more platforms as a comic.

From doing 5-minute open mic nights and working small stages and audiences, Jamie has now graced Edinburgh Fringe and sold out comedy clubs in London, with his storytelling style. Fuelled by his experiences working in the variety of jobs, including that of a Teaching Assistant. I personally went to see him in Waterloo and loved his animation and almost childlike blanketing of his set and performance.

Being in a creative space doesn’t often pair with the notion and idea of stability and this was something that Jamie had to fight the grain with, especially with his parents. “Edinburgh Fringe was a way to show my progression with this, there was a room full of people who weren’t my friends”. It’s apparent that as a comedian, the harder you work the better you get. Jamie was absolute about putting the time in for anything you love and have a passion for. An inspiration for all creatives.

Interviewing Jamie Oliphant was a pleasure and during this uncertain time, he upheld his optimistic outlook which I have to say left me feeling encouraged myself. Also, the fact he still uses the same headshots from 10 years ago may be proof that laughter really is the best cure for ageing.